The Adinkra Symbols of the Akan People: A Complete Guide
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My grandmother had a cloth hanging in her bedroom in Accra. It was dark blue, almost black, with small symbols stamped all over it in a darker shade. As a child I would stare at it and ask her what the symbols meant. She would point to each one and tell me its name and its story.
Those symbols were Adinkra. And they changed the way I understood what it means to carry culture with you.
What Are Adinkra Symbols?
Adinkra symbols are a system of visual symbols created by the Akan people of Ghana and Ivory Coast. The word Adinkra means "goodbye" or "farewell" in the Twi language. The symbols were originally used on cloth worn at funerals and other important ceremonies, as a way of communicating values, proverbs, and philosophical concepts without words.
There are over 100 Adinkra symbols, each with its own name, meaning, and visual form. Some are simple geometric shapes. Others are more complex, representing animals, plants, or abstract concepts. Together they form a complete philosophical system, a way of encoding the values and wisdom of the Akan people into visual form.
The History of Adinkra
The Adinkra symbols are believed to have originated with the Gyaman people of what is now Ivory Coast. According to oral tradition, the Asantehene (king of the Ashanti) Nana Osei Bonsu-Panyin defeated the Gyaman king Kofi Adinkra in battle in the early 19th century. Adinkra cloth was among the spoils of war, and the Ashanti adopted and developed the tradition.
The earliest known examples of Adinkra cloth date from the early 1800s. The symbols were originally stamped onto cloth using carved calabash gourds dipped in a black dye made from the bark of the Badie tree. This hand-stamping process is still used today by traditional Adinkra cloth makers in Ntonso, a village near Kumasi in Ghana that is considered the home of Adinkra.
The Most Important Adinkra Symbols
Sankofa — perhaps the most recognisable Adinkra symbol outside of Ghana. It depicts a bird with its head turned backwards, or a heart-shaped symbol. The name means "go back and get it" in Twi. The meaning is that it is not wrong to go back and retrieve what you have forgotten or left behind. It represents the importance of learning from the past to build a better future. Sankofa is widely used in African diaspora communities as a symbol of cultural reconnection.
Gye Nyame — meaning "except God" or "only God." It is the most widely used Adinkra symbol and represents the supremacy of God. The symbol appears on everything from cloth to jewellery to architecture in Ghana. It is a declaration of faith and humility.
Adinkrahene — the chief of Adinkra symbols. It consists of three concentric circles and represents greatness, charisma, and leadership. It is said to have inspired the design of many other Adinkra symbols.
Dwennimmen — the ram's horns. It represents strength and humility. The ram is a powerful animal, but it uses its horns to fight only when necessary. The symbol teaches that true strength is knowing when to use your power and when to hold back.
Funtunfunefu Denkyemfunefu — the siamese crocodiles. Two crocodiles sharing one stomach. It represents democracy and unity in diversity. The crocodiles fight over food even though they share the same stomach. The symbol teaches that conflict is self-defeating when people share a common destiny.
Nyame Biribi Wo Soro — "God is in the heavens." A symbol of hope and inspiration. It represents the belief that God's blessings are available to all who look upward.
Aya — the fern. It represents endurance and resourcefulness. The fern grows in difficult conditions, in rocky soil, in the shade, without much water. It is a symbol of the ability to survive and thrive in adversity.
Adinkra in Modern Life
Adinkra symbols have spread far beyond their origins in Ghana. They appear on everything from architecture to jewellery to fashion to tattoos. In the African diaspora, particularly in the United States and the United Kingdom, Adinkra symbols have become a way of connecting with African heritage.
The Sankofa symbol in particular has become a powerful emblem of the African diaspora experience. It speaks directly to the experience of people whose ancestors were taken from Africa and who are now reaching back to reclaim their cultural heritage.
At Afropop Socks, we use Adinkra symbols on our socks because they are one of the most sophisticated and beautiful visual languages in the world. Every pair of Adinkra socks comes with a story card explaining the specific symbol on the socks, its name, its meaning, and its cultural context.
When you wear Adinkra socks, you are not just wearing a pattern. You are wearing a philosophy.
How Adinkra Cloth Is Made
Traditional Adinkra cloth is still made in Ntonso, Ghana, using methods that have changed little in 200 years. The process begins with the cloth, which is typically a plain cotton fabric in white, red, black, or brown. The dye is made by boiling the bark of the Badie tree with iron slag until it produces a thick, dark liquid.
The symbols are carved into pieces of calabash gourd. The carver uses a sharp knife to cut the symbol into the flat surface of the calabash, creating a stamp. The stamp is dipped into the dye and pressed onto the cloth in a repeating pattern.
A skilled Adinkra cloth maker can produce a piece of cloth with dozens of different symbols, each one carefully placed to create a balanced and meaningful composition. The finished cloth is a work of art that carries layers of meaning in every symbol.
If you ever visit Ghana, a trip to Ntonso to see Adinkra cloth being made is one of the most memorable experiences you can have. The village is about 20 kilometres from Kumasi and is easily accessible by road.
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About the Author
Isaac Prempeh is the founder of Afropop Socks and a British-Ghanaian entrepreneur based in London. He grew up in a Ghanaian family surrounded by Kente cloth and Adinkra symbols and founded Afropop Socks in 2019 to bring African cultural heritage into everyday fashion. Afropop Socks is now stocked at the Smithsonian NMAAHC, Tate Modern, V&A Museum, Natural History Museum, Barbican Centre, Selfridges, Virginia Museum of Fine Arts, and MoMA New York.
Isaac writes from personal experience of Ghanaian and British-African heritage. All cultural information in this article has been verified against academic sources.